After passing through the hellish universe of the Jester, Chelsea falls back to Earth—back to the place where it all began. This time, however, not only her own fate rests in her hands, but also that of her sisters.
General Description
Chelsea is the central heroine of the entire story and the true focal point of the world.
She is not an ancient goddess.
She is not a witch trained from childhood.
She is not a chosen warrior.
She is not a flawless savior.
At the outset of the story, Chelsea is a modern young adult who agrees to spend a night at a strange estate, primarily because she's been promised a house and roughly ten million dollars.
This is very important.
She enters the narrative not as the heroine of a prophecy, ready to sacrifice herself for the sake of humanity. She steps in out of curiosity, practicality, and a desire to claim a vast inheritance.
But beyond the gates lies a world where money quickly loses its meaning. The house is filled with ghosts, erotic nightmares, monsters, family secrets, and entities—each of which tries to determine who Chelsea is meant to become.
Agnet offers her the chance to become the mistress of this infernal collection.
The spirits want her body and her attention.
The Puppet Master wants to turn her into the perfect toy.
The Jester wants to make her the leading actress and eternal bride.
Henri wants to break her and condemn her.
Duke Weber wants to turn the witch into a mechanism for transmitting energy.
The Moonlit World wants to use both sisters as eternal sources of power.
Chelsea's entire story revolves around one question:
Who will have the final say in determining who she is?
And time and again, the answer is the same:
that right remains with Chelsea—until she herself renounces it.
Appearance
Chelsea's classic look deliberately defies the traditional image of a witch.
She has long, bright red hair, large blue eyes, an attractive young face, and a striking figure. She wears a short plaid skirt, a low-cut white top, dark stockings, a collar, and a belt. She has a butterfly tattoo on her lower abdomen.
Her outfit looks as if she were heading not to an occult ritual, but to a party, a photo shoot, or a stroll through a modern city.
There is a fundamental meaning to this.
Chelsea doesn't look prepared to face hell.
She isn't wearing a protective cloak, armor, or ancient amulets. In 1585, her appearance would instantly attract attention and almost lead to her arrest.
But it is precisely her vibrant, modern, and erotic appearance that makes her visually stronger than the worlds around her.
Wherever Chelsea ends up—in a medieval city, an old manor, a dollhouse, a hellish theater, or a black‑and‑white projection—she looks as if she belongs to another reality.
It's impossible to fully blend her into the setting.
That is precisely why the settings constantly try to change her.
Before the Manor
Little is known about Chelsea's life before Duke Weber appeared.
This absence is deliberate and integral to the structure of her story.
Before the estate, Chelsea was no legend.
She knew nothing about her family's ancient origins, the woman in white, Maria, Jack, or the interrupted line of witches. To her, Agnet seemed like an eccentric relative who had disappeared or died a year before the events began.
When Duke reveals the will, Chelsea's attention is drawn not to the magical legacy, but to the balance in the bank accounts.
She openly considers her aunt's conditions strange, but ten million makes a night in an abandoned house a perfectly acceptable risk.
Thus begins her journey.
Not with a sacred oath.
With a very human decision:
Eight hours in an old house for a huge fortune? Why not?
She doesn't know that Agnet is luring her there not for the property, but for an initiation. She doesn't know that the house is filled with captured spirits and that each creature holds a part of the spell.
Chelsea isn't yet a witch by knowledge.
But she's already a witch by nature: her curiosity almost always outweighs her caution.
Welcome to the Manor
Chelsea is trying to begin a new chapter of her life, but peace never lasts long in this world.
Explore the manor, interact with its inhabitants, complete quests, discover secret rooms, experiment with alchemy, and unlock new scenes as the project continues to grow.
Some events will be easy to find. Others may require specific choices, unusual ingredients, character relationships, or a willingness to look behind doors that were probably meant to remain closed.
Current Features
A manor that expands through future updates
Story quests and character interactions
Dynamic NPC behaviour
Hidden rooms and optional events
Alchemy, ingredients, and discoverable recipes
Wardrobe options and character customization
Dialogue choices and progression systems
Secrets connected to Chelsea’s past
Keyboard and gamepad support
Multiple interface languages
The First Night
The night at the estate marks Chelsea's birth as a heroine.
Agnet gives her a real choice.
She can choose not to go beyond the gate.
She can avoid the spirits.
She can drive them away.
She can submit, negotiate, seduce, or look for another way out.
Each encounter changes not only the state of the house, but also Chelsea herself—her body, her mind, and her attitude toward fear and her own strength.
During her first night, Chelsea initially sees three possible responses:
run away;
expel;
submit.
But Chelsea gradually discovers a fourth option:
accept part of what is happening without giving herself over completely.
It is precisely this ability that will form the foundation of her future journeys.
She can enter into the game of the spirit.
She can allow the being to get what it wants.
She can experience true pleasure.
But that doesn't mean the monster has the right to keep her forever.
The first night teaches Chelsea to distinguish between desire and possession.
Almost all of her opponents fail to understand this distinction.
Erotic Nature
Erotic nature is neither an addition to a character nor a reward for victory.
It is one of the primary languages of the entire universe.
Chelsea is beautiful, uninhibited, and capable of responding to desire with desire. She does not view sexuality as a loss of dignity, nor does she believe that intimacy automatically makes a woman weak or defeated.
But she is also not a completely thoughtless libertine who agrees to everything simply because the story calls for an adult scene.
In different situations, Chelsea may:
willingly accept an offer;
use her attractiveness to obtain an object or information;
pretend to be submissive;
refuse;
deceive her partner;
enjoy herself and still walk away;
lose control;
become a captive of her own desire;
turn erotic contact into a magical ritual;
teach another witch to use intimacy as a form of protection.
Sexuality does not define her in any single way.
It reveals different facets of her character.
Chelsea can be tender.
Bold.
Playful.
Frightened.
Dominant.
Submissive.
Calculating.
Reckless.
The main thing is that she doesn't have to stay forever the way she was in a single scene.
This is what sets Chelsea apart from Gretta's dolls and the Jester's actors.
For them, the role consumes the person.
Chelsea constantly tries to step out of her role once the scene is over.
